![]() Highlights: "Johnny Blast" and "Alone" are good representations of the project's yin and yang of trunk-rattling, plain-dealing Atlanta rap and playful experimentation. ![]() The best moments here, though, come where you can hear Decoca stretching himself in weird directions: hints of Daft Punk bubble up in "Telescope," "Armes" contains echoes of the sparse beauty of Drake's "Successful" and "Alone" evokes a grittier Clams Casino. Even its most straightforward moments go hard-you think you don't need to hear another song called "Ratchetness," but it's a wailing, undeniable party anthem. I've known Atlanta's Marc Decoca could spit, but I can't say I was expecting a free album this diverse and fully considered from the guy who's best known for "Booty (What's It Gonna Be)." Sure enough, though, The Beautiful Images of Atlantis Omega is approachable yet experimental and clearly a labor of love (Decoca is listed as executive producer). ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |